Really?

Don't get me wrong, I'm all for globalization.  But when one of my special treasures becomes available through West Elm, it really upsets me...

Years ago, when I was working at the gallery in Hong Kong, I was introduced to a wonderful cooperative project in Indonesia called Lombok Pottery.  Here, pottery is created by an entire village.  The men dig up the clay from the nearby hills, while the women are in charge of making the actual pots and vessels.  Each piece is handmade, without a wheel, created layer by layer, varnished by hand, and then baked in the ground under rice straw.  It is a delicate process that takes several days and one that creates pieces that are individually unique and absolutely beautiful.

I know that West Elm is meaning to do the right thing and expose these artisans and their products to a bigger audience, but mass producing them seems so wrong.  The success story doesn't always mean that you need to end up in a catalog at $12 a piece (mine was definitely worth every penny more)!

Here is my pot.

Here are West Elm's:

The salt is in the air

Summer is finally here in New England just in time for Memorial Day weekend.  After weeks of rain, we were able to do some much needed landscaping, break out the grill, and do some overdue spring cleaning.  Isn't it amazing that even though we go through the same routine each year cleaning out closets of old clothes and sorting through toys, we still manage to find an entirely new round of crap waiting to be purged?!?!  Anyway, the summer breeze has me anxious to wear sundresses and open windows and think about a little house that I worked on in Cape Cod...





The final three

So, I've got my glass of pinot, and the kids are finally in bed.  I am online searching, searching for an old-school, traditional, English-influenced bed for a new client of mine.  Having a hard time finding the something-something that she is looking for.  It really is amazing how fast trends take over, and how streamlined design can become so mainstream...  Despite countless hours at the Design Center, and countless hours here in front of my computer, I can only come up with a handful of products worthy of presenting to her and her pricepoint.

Here was my criteria; something sophisticated, something romantic, something not upholstered, and something that goes with a Victorian house.  Here are my favorites so far...

http://decorati.com/product/tearsheet/16890

http://www.edwardferrell.com/Product_detail.aspx?pid=13608&LO=4 (btw, this can be done in all wood).  But they are out of her pricepoint. 

So, after a little comparison shopping, here is the best and final, and hopefully most well received option:
http://decorati.com/product/tearsheet/71388

Hope she loves it!

It's all in the details

This past Saturday was my daughter's 1st Communion.  As religious as we are not, there was still something very special about it.  It could have been the white dress.  It could have been backdrop of the church and how it was adorned with fresh tulips and hydrangeas.  Or, on a deeper level, it could have been how monumental the action of an actual sacrament was for a second grader (though I think for mine, it was more about finally getting to eat the wafer and being told she could really drink the wine). 

Churches are innately beautiful in their own architecture.  The stonework, the woodwork, and the stainglass windows are all pieces of art in themselves.  Even when they are falling down and left for ruin, the details of their construction can still appreciated.  And that's what I realized as I was downloading pictures from the day - It's paying attention to the details that make the things special.  It's the white dress, and the flowers, and the way the light comes in through the stained glass.  But, more importantly, it's about appreciating the details and making whatever you create your own.

And so did Uncle Bob...

Before

After

Grandma got a facelift

Before

After

Amazing what you can do to a classic frame...

Around my table

Today I was fortunate enough to sit at a "designer roundtable" to discuss how a struggling fabric house can reinvent themselves during a time when value and luxury are two words that should coexist in the same sentence; a bit of an oxymoron but what most clients are truly looking for when they hire us to manage their budgets and make their house look beautiful at the same time.  Including me, there were 10 mixed-use designers there sharing in an open discussion about what is important to each of us when it comes to choosing a brand and a showroom.  To some it was customer service.  To others, a user-friendly website with up to the minute information on pricing and current stock.  And to me, it was and always will be, practicality.  Of course the first two points are important things that I look for, but ultimately it's how practical the fabric (not so much the brand) is for my project and for my client.

In recent years, there has been a strong movement away from fuss and into function.  Those special single-use rooms are getting harder to find with people wanting to live in their space rather than just admire it.  When I look at a project, I tend to think of the space as a whole, even if I am just working on a piece of it.  I am a big believer in cohesive design and feel that rooms should flow into one another without obvious stops and starts, and color palettes should continue through transitions welcoming you into the next space.  If I had my way, everything under one roof could be interchangeable, and a bedroom chair could easily serve as extra seating during a dinner party without feeling like something borrowed from another room.

So getting back to the practicality of a fabric house.  It's obvious in my portfolio that I favor certain fabrics and certain manufacturers.  Some of the lines just understand my idea of design better than others.  Sometimes that can mean budget.  Sometimes durability.  Sometimes accessibility.  And, sometimes, how much time I have to find the fabric before the babysitter calls telling me it's time to come home.  But, more times than most, it means all of it coexisting in the same sentence and the same space. 


Chair from bedroom

Can transition into the living room

And then into the dining room